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El Lissitzky was one of the great masters of Soviet avant-garde art and architecture. Besides Malevich, Tatlin, and Rodchenko, Lissitzky is probably the most famous.
International constructivism followed him, as he met and worked closely with Laszlo Moholy-Nagy, J.J.P. Oud, Mart Stam, and a host of others. Journals, too: Veshch, G, ABC.
After 1926, Lissitzky began to design pavilions for the Soviet Union for international exhibitions. Konstantin Mel’nikov’s striking pavilion from the 1925 Paris Expo set a very high standard for formal dynamism and innovative use of materials. Many looked to the Soviets to continue to lead the way. (De Stijl impresario Theo van Doesburg was only impressed by Mel’nikov’s building and one other at the 1925 show). Lissitzky’s crowning achievement as far as exhibition displays went was the 1928 “Pressa” exhibition in Cologne. “Pressa” was meant to showcase the journalistic culture of the various countries that participated.
What follows are a number of rare images from that show. Some of them are extremely high resolution. A few translated passages of reviews in the German and British press are also included along with some of Lissitzky’s own remarks.