Architects: Ismail Solehudin Architecture
Area: 900 m²
Year: 2025
Photography: Lu’Luil Ma’nun
Lead Architects: Ismail Solehudin
Design Assistant: Radhian Dwi A, Dimas H, Faisal A
Estimator: Devina A, Thalia A
Structure Engineer: Andi Dzikril
Construction: WANI Build Construction, Ali Yazid Bustomi, Ihsan Hadiyat
Manufacturers: Conwood, Niro, PT Aluminium Extrusion Indonesia (ALEXINDO), Toto
Category: Mosque
Location: Cibinong
Country: Indonesia

The Jami At-Taqwa Mosque in Cibinong, designed by Ismail Solehudin Architecture, reinterprets the act of worship through an architectural language of folding forms and diffused light. Inspired by the concept of sujud, or prostration, the design embodies the spiritual movement of drawing closer to the Divine. The structure’s pleated roofs and curved walls evoke a sense of unity and reverence while creating an atmosphere of warmth and serenity. Set beside a busy street, the mosque integrates arcades and planted buffers that frame a tranquil space for reflection. The minaret continues the motif of folded geometry, rising along the qibla axis as a vertical expression of faith. Constructed with exposed brick and concrete, the mosque reflects both humility and strength, emphasizing the communal spirit of those who contributed to its realization.

Jami at-taqwa mosque cibinong / ismail solehudin architecture

The Jami At-Taqwa Mosque introduces a refined balance between spiritual symbolism and architectural form. Situated within a dense residential area of Cibinong, the building offers a visual and emotional sanctuary for the surrounding community. Its design emerges from a reflection on the meaning of masjid, a “place of prostration,” and evolves into a built interpretation of human devotion. Through this lens, the architects sought to create not merely a religious facility but a space that expresses the essence of prayer as an intimate act of surrender.

The concept of folding—drawn from the spiritual metaphor of sujud—defines the project’s architectural identity. The folded planes of the roof and walls recall the gesture of bowing, translating an act of worship into spatial language. These movements result in an expressive structure that captures the interplay of light and shadow, generating an ever-changing environment that mirrors the rhythm of daily prayer. Each fold becomes a tangible manifestation of humility and divine proximity.

Inside, natural light filters through perforated brick surfaces, casting delicate patterns that shift throughout the day. This dynamic illumination imbues the prayer hall with a quiet rhythm, reinforcing a meditative atmosphere. The use of exposed materials underscores sincerity and permanence, grounding the spiritual experience in the physical reality of craft. Brick, concrete, and local materials converge to create an interior that feels both open and protective, embodying warmth and inclusion.

Facing a lively urban context, the mosque establishes a contemplative threshold between public life and sacred space. The introduction of an arcade along the perimeter forms a processional pathway, softening the transition from the street to the prayer area. This canopy not only shields worshippers from noise and dust but also extends the visual language of folding geometry, maintaining a cohesive architectural dialogue from exterior to interior.

Circulation within the complex reflects both cultural sensitivity and spatial clarity. Distinct routes for men and women ensure privacy and ease of movement, with the ground floor dedicated to the men’s prayer hall and the upper level reserved for women. The arcade guides each group naturally toward their respective spaces, emphasizing fluidity rather than separation. The layered circulation enhances the sense of order and spiritual focus that defines the overall composition.

The minaret serves as a vertical continuation of the mosque’s folded façade, standing prominently along the qibla axis. Its form expresses the upward aspiration of faith, a physical translation of reverence and connection to the Divine. The tower’s geometry integrates seamlessly with the broader composition, ensuring that the symbolic and structural elements of the mosque remain unified. This continuity reinforces the project’s conceptual clarity and visual coherence.

In material and spirit, the mosque reflects collective generosity. Constructed through voluntary contributions of labor and resources, Jami At-Taqwa emerges as a product of devotion as much as design. The honesty of its construction mirrors the sincerity of its purpose—each element expressing both aesthetic restraint and communal pride. The building thus transcends its physical role, becoming a lasting emblem of shared faith and service.

Through its synthesis of spiritual metaphor, crafted form, and contextual sensitivity, the Jami At-Taqwa Mosque offers more than architectural beauty. It presents a living dialogue between divine contemplation and human collaboration, between the act of worship and the art of building. Within its folded walls and illuminated interiors, architecture becomes an expression of devotion, transforming faith into a tangible and enduring experience.